I work across sculpture, drawing, and digital painting. Each medium offers a different way of thinking and seeing, yet all of them circle around the same concerns: the body, its parts, its provisional arrangements, and the strange systems that emerge when fragments are brought together.

My practice is often described as uncanny, and I welcome that. I like the tension between attraction and repulsion, humour and unease. A drawing might feel playful at first glance, then suggest something unsettling. A sculpture might appear familiar and bodily, yet slip into something altogether otherworldly. I think of this as creating openings – moments where perception wavers, and something new can be glimpsed.

Philosophy has always run alongside my work. I am drawn to the writings of thinkers such as Deleuze and Guattari, and to older sources like Empedocles, who imagined body parts wandering the earth in search of connection. My works often take that idea literally: hands, mouths, organs, or hybridised figures meeting and mutating into new forms.

Over the years I have also found inspiration in cultural traditions such as mudras – the symbolic hand gestures used in dance, ritual, and meditation. These gestures suggest a language of the body that moves between the physical and the spiritual, which is something I am always chasing in my own work.

At heart, my art is a way of asking questions. What happens when we reorganise what we think of as fixed? Can we imagine new organisms, new combinations, new possibilities? If the result makes you laugh and shudder at the same time, I feel I am on the right track.